8/23/2023 0 Comments Landscape pictures to drawThe values will get lighter with distance while still maintaining that relationship. First, these things are all darker than the sky, and they have to stay that way. We need to know how they change as they recede. Now that represents those things close to the camera. The green of the trees, the green of the yard, and that yellowish-sienna color. Let’s take three of the basic colors in this scene. I’ve been painting this stuff for many years now, and I’m aware of a pattern or two. That is the atmospheric perspective tracking all those colors as they recede in space. So at this point in the painting, I’m dealing with the whole depth problem. How do you avoid simply copying a photograph and actually doing a conscious, focused study? Answering that question was really the driving force behind this video. Reason number 2 surrounds some psychology I don’t quite understand but, painting small will help steer you away from the common tendency to just want to copy everything.Īnd this is a common question I get from students.So more studies, less time, same pictorial impact, that’s reason number one. And because painting small reduces the physical labor parts of painting a little bit, you can get more studies done in less time. Painting small in no way inhibits your ability to make a good picture.I’ve only been painting for a minute here, and I’m already trying to satisfy one of the items on my list, the graphic punch on the castle, which brings me to my next piece of advice when studying from photos. So, I’ve switched over now to the pen brushes, which tend to make very bold marks, which I think is a good choice to get this castle laid in. And in order to give myself an opportunity to do that, the sky should just be dead simple. Remember that I want to capture the graphic punch of the castle. Ok, So I’m using brushes in the gouache collection to paint the sky. The trees here I’ll just freehand and referencing my list, this is my first stab at nature’s pattern. I’m using this tool to block in the castle and a lot of the surrounding landscape. In Clip Studio Paint, if you put down a dot and then hold shift, it will give this interactive Straight line tool, which I find extremely helpful for blocking in a drawing or a basic composition. That simple list will keep me dialed in as I work, and when I finish that painting, I’ll consult that list again and ask myself, did I capture those things? So in a way, I’ve also created a little rubric in which I can grade or self-evaluate my study. That’s a clear focal point right there, and I want to make sure it comes off equally as clear in my painting. And I really like the sense of the graphic punch on that castle. I’d also like to get a sense of the non-repetitive patterns that nature makes, which I find quite difficult to pull off. I think it will be a real exercise in grays as those colors get a lot closer together back of the photo. I like the atmospheric perspective, specifically the challenge of tracking each color through depth. Here’s a photograph I’ll do a study from.īefore I jump in and start painting, I find it helpful to make a list of things I want to study. When I work in Clip Studio, I tinker around in these areas a lot. And what’s nice is as I select a different brush, I get different customizable controls. Options include brush size, opacity, the blending mode, as well as a bunch of textures you can emulate. When you click one of those, you can fine-tune that specific brush in the Tool Property palette shown below. When you click on one of them, you will have further brush selections in the Sub Tool menu. The main brushes I use to paint with are located under these four icons. I’ve set this neutral warmish gray as my default. When you make a new canvas, you can set a default paper color.
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